Evan ElsleyViolin Technique for Diploma Exams by a Diploma Examiner, University Violin Lecturer, Adjudicator & Performer. Book Teaser Pages | |
Evan ElsleyViolin Technique for Diploma Exams by a Diploma Examiner, University Violin Lecturer, Adjudicator & Performer. Book Teaser Pages | |
Evan ElsleyViolin Technique for Diploma Exams by a Diploma Examiner, University Violin Lecturer, Adjudicator & Performer. Book Teaser Pages |
| Diploma Examiner | University Violin Lecturer | Eisteddfod Adjudicator | Talent Research | Performer |
| | VIOLIN LESSONS MASTERCLASSES THE BOOK Learning the violin requires years of committed practice and significant financial investment. In Australia, however, the AMEB lists of successful candidates show that only a small proportion of violin students progress to diploma level. EVAN ELSLEY addresses the reasons behind this problem. He has examined thousands of candidates for grade examinations, diplomas, competitions, eisteddfods, HSC performance examinations and tertiary courses. In the exam room, there are five technical differences between talented candidates who achieve their diplomas at young ages, and those who struggle to pass grade levels. These differences can now be clearly identified, understood, and taught. In doing so, they address the Conservatorium problem: Teachers teach what can be taught, while students bring what cannot. Principles of Talent by EVAN ELSLEY
THE LOGIC OF TECHNIQUE
The logic of technique is no more complicated than this question: Do you tune the note before you play it, or after? It is like asking the question: Do you cook a meal before you eat it, or after you eat it? THE LEARNING PROCESS Learn to think with the mind and not the fingers:
PARENTS At the 2025 AMEB session, an eight year old obtained a 6th Grade Credit after learning for 18 months with one lesson a week. This is the practical component standard for HSC Music 1. The average method student, however, is still playing children tunes on marked fingerboards. If your child is practicing without progress, plays out of tune, and lacks co-ordination, then they are thinking with their fingers. MUSIC DEPARTMENTS Capture linear technical progress. Explore how teaching the mind a logical timeline can remove the variability and vagueness from beginner up methods. Students don't necessarily need more practice; they need to understand and organise the technique of the mind correctly. |